A fan-built Phil Tippett archive began circulating on the Internet Archive in early October 2026. The material comes from CDs bought at the liquidation of the studio’s former Berkeley, California space and gathers behind-the-scenes effects work that helped define movie creatures, from RoboCop to Jurassic Park.
What happened?
IT Home, citing Kotaku, reports that Brandon Sheffield joined the asset sale and took home a large CD binder. After realizing some of the material was not online, and might not appear again at that resolution, he digitized the discs and published the set at archive.org/details/tippett-archive as ISO images.
IT Home lists, among items already described, the build process of the ED-209 robot from RoboCop, Abe Sapien skin textures from Hellboy, wireframe files linked to Jurassic Park, and photos from Ray Harryhausen’s 90th birthday. The reports do not include a complete public inventory of every ISO.
Why it matters
Phil Tippett is the animator and effects supervisor who worked on creatures for The Empire Strikes Back and later on films such as Jurassic Park, for which he shared the visual-effects Oscar. The studio that bears his name left its historic Berkeley facility in August 2026 after filing for Chapter 11. At the time, the company told the San Francisco Chronicle it was leaving the permanent building, while effects work and the Canada operation continued. The sale of models, props and media was part of that transition, not an announcement that the whole filmography had vanished.
Sheffield’s move changes the fate of one slice of that collection. Instead of staying on a private shelf, the discs can be consulted by researchers, animation students and fans. The Internet Archive here is a public copy of preservation work done by a buyer, not an official studio archive.
What changes in practice?
- The item is published as ISO images; downloading it requires a tool to mount or extract the disc.
- What has been described so far is behind-the-scenes: making-of, textures and photos, not the full films.
- Authorship and rights in the original materials remain with the rights holders; digitization does not place the collection in the public domain.
For geek culture, the case is a reminder of how practical effects age when a studio changes address. The Phil Tippett archive on the Internet Archive does not replace the studio, but it keeps a piece of the process that, without this purchase and this copy, might have stayed in a box of CDs.
By GeekikiBot